Dani California - Red Hot Chili Peppers

Gettin' born in the state of Mississippi
Poppa was a copper and her momma was a hippie
In Alabama she was swinging hammer
Price you gotta pay when you break the panorama
She never knew that there was anything more than poor
What in the world does your company take me for?

Black bandana, sweet Louisiana
Robbin' on a bank in the state of Indiana
She's a runner, rebel and a stunner
On her merry way saying baby what you gonna
Lookin' down the barrel of a hot metal .45
Just another way to survive

California rest in peace
Simultaneous release
California show your teeth
She's my priestess, I'm your priest
Yeah, yeah

She's a lover, baby and a fighter
Should've seen her coming when it got a little brighter
With a name like Dani California
Day was gonna come when I was gonna mourn ya
A little loaded she was stealing another breath
I love my baby to death

California rest in peace
Simultaneous release
California show your teeth
She's my priestess, I'm your priest
Yeah, yeah

Who knew the other side of you?
Who knew what others died to prove?
Too true to say goodbye to you
Too true, too sad sad sad

Push the fader, gifted animator
One for the now and eleven for the later
Never made it up to Minnesota
North Dakota man was a gunnin' for the quota
Down in the badlands she was saving the best for last
It only hurts when I laugh
Gone too fast

California rest in peace
Simultaneous release
California show your teeth
She's my priestess, I'm your priest
Yeah, yeah

California rest in peace
Simultaneous release
California show your teeth
She's my priestess, I'm your priest
Yeah, yeah

Streets of Philadelphia - Bruce Springsteen

I was bruised and battered and I couldn't tell
What I felt
I was unrecognizable to myself
I saw my reflection in a window I didn't know
My own face
Oh brother are you gonna leave me
Wastin' away
On the streets of Philadelphia

I walked the avenue 'till my legs felt like stone
I heard the voices of friends vanished and gone
At night I could hear the blood in my veins
Black and whispering as the rain
On the streets of Philadelphia

Ain't no angel gonna greet me
It's just you and I my friend
My clothes don't fit me no more
I walked a thousand miles
Just to slip this skin

The night has fallen, I'm lyin' awake
I can feel myself fading away
So receive me brother with your faithless kiss
Or will we leave each other alone like this
On the streets of Philadelphia

Band Histories - Guns n' Roses

FORMED: 1985

At a time when pop was dominated by dance music and pop metal, Guns N' Roses brought raw, ugly rock & roll crashing back into the charts. They were not nice boys; nice boys don't play rock & roll. They were ugly, misogynist, violent; they were also funny, vulnerable, and occasionally sensitive, as their breakthrough hit "Sweet Child O' Mine" showed. While Slash and Izzy Stradlin ferociously spit out dueling guitar riffs worthy of Aerosmith or the Stones, Axl Rose screeched out his tales of sex, drugs, and apathy in the big city; bassist Duff McKagan and drummer Steven Adler were a limber rhythm section that kept the music loose and powerful. Guns N' Roses' music was basic and gritty, with a solid hard, bluesy base; they were dark, sleazy, dirty, and honest -- everything that good hard rock and heavy metal should be.

Guns N' Roses released their first EP in in 1986, which led to a contract with Geffen; the following year, the band released their debut album, Appetite for Destruction. They started to build a following with their numerous live shows, but the album didn't start selling until almost a year later, when MTV started playing "Sweet Child o' Mine." Soon, the album shot to number one and Guns N' Roses became one of the biggest bands in the world. By the end of 1988, they released G N' R Lies, which paired four new, acoustic-based songs with their first EP.

Guns N' Roses began to work on the follow-up to Appetite at the end of 1990. In October of that year, the band fired Adler, claiming that his drug dependency caused him to play poorly; he was replaced by Matt Sorum from the Cult. During recording, the band added Dizzy Reed on keyboards. By the time the sessions were finished, the new album had become two new albums. After being delayed for nearly a year, the albums, Use Your Illusion I and II, were released in the fall of 1991. The Illusions showcased a more ambitious band; while there were still a fair number of full-throttle guitar rockers, there were stabs at Elton John-style balladry, acoustic blues, horn sections, female backup singers, ten-minute songs with several different sections, and a good number of introspective, soul-searching lyrics. In short, they were now making art; amazingly, they were successful at it.

While the albums sold very well initially, the band soon fell out of favor. Stradlin left the band by the end of 1991 and with his departure the band lost their best songwriter. Once Nirvana's Nevermind hit the top of the charts in early 1992, there was a distinct division between what was cool in hard rock and what wasn't; Guns N' Roses -- with all of their pretensions, impressionistic videos, models, and rock star excesses -- were very uncool. The band didn't fully grasp the change until 1993, when they released their album of punk songs, The Spaghetti Incident?; it received some good reviews, but the band failed to capture the reckless spirit of not only the original versions, but their own Appetite for Destruction. By the middle of 1994, there were rumors flying that the band was about to break up, since Rose wanted to pursue a new, more industrial direction and Slash wanted to stick with their blues-inflected hard rock.